| |
|
Title |
Date |
Medium |
Size
(cm) |
Location |
Attribution |
|
|
The
Baptism of Christ (the angel in the foreground,
parts of the landscape, in Verrocchio's painting) |
1470–75 |
Oil and tempera on panel |
152 x 180 |
Uffizi Gallery, Florence |
Generally
accepted
attribution
(one figure) |
|
|
The Annunciation |
c.
1472 |
Oil
on panel |
90
x 222 |
Uffizi Gallery, Florence |
Generally
accepted
attribution |
|
|
Ginevra
Benci (Portrait of a Lady) |
1474–78 |
Oil on panel |
42.7 x 37 |
National Gallery of Art, Washington |
Own hand |
|
Wreath of Laurel, Palm, and Juniper with a Scroll
(on reverse of Portrait of a Lady)
|
1474–78 |
Oil on panel |
42.7 x 37 |
National Gallery of Art, Washington |
Own hand |
|
|
Madonna and Child with a Pomegranate (or Dreyfus
Madonna) |
1475–80 |
Oil on panel |
16.5 x 13.4 |
National Gallery of Art, Washington |
Generally
not attributed |
|
|
The
Fall |
1475 |
Water-colour |
Unknown |
Lost |
Unknown |
|
|
Head of the Medusa |
1475 |
On panel |
Unknown |
Lost |
Unknown |
|
|
Madonna
of the Carnation (or Madonna del garofano
or Madonna with the Vase of Flowers) |
c.
1475 |
On panel |
62 x 48.5 |
Alte Pinakothek, Munich |
Own hand |
|
|
Bust of an Angel |
1475 (?) |
Unknown |
Unknown |
Lost |
Unknown |
|
|
The
Annunciation |
1478–85 |
On panel |
16.2 x 60.7 |
Musée du Louvre, Paris |
Disputed;
Da Vinci, Lorenzo di Credi, or a collaboration of the
two |
|
|
Altarpiece for the Chapel of St Bernard in the Palazzo
Vecchio in Florence |
1478 |
On panel |
Unknown |
Lost |
Unknown |
|
|
Madonna with the Flower (or Benois Madonna) |
1478–80 |
Oil on panel on canvas |
49.5 x 33 |
State Hermitage Museum, Saint Petersburg |
Own hand |
|
|
St Jerome |
1480 |
Oil on panel |
103 x 74 |
Pinacoteca Vaticana, Vatican City |
Own hand |
|
|
The Adoration of the Magi |
1481–82 |
Oil and tempera on panel |
246 x 243 |
Uffizi Gallery, Florence |
Own hand |
|
|
The
Virgin of the Rocks |
c. 1483–86 |
Oil on panel on canvas |
199.5
x 122 |
Musée du Louvre, Paris |
Own hand |
|
|
Portrait
of a Musician (Franchino Gaffurio?) |
c. 1485 |
Tempera
and Oil on panel |
44.7 x 32 |
Pinacoteca Ambrosiana, Milan |
Generally
accepted attribution |
|
|
Portrait
of a Lady with an Ermine (or Lady with a Ferret
[with a Marten]) (Cecilia Gallerani?) |
1485–90 |
Oil on panel |
54 x 39 |
Czartoryski Museum, Cracow |
With
assistants |
|
|
Portrait of a Lady (or The Lady with the
Pearl Hairnet) |
c. 1490 |
Oil on panel |
51 x 34 |
Pinacoteca Ambrosiana, Milan |
Generally not attributed |
|
|
Head
of a young girl (or La donna scapigliata) |
c.1492–1501 |
Oil on panel |
24.7
x 21 |
Galleria Nazionale, Parma |
Generally
not attributed |
|
|
Virgin
giving the Breast to the Child (or Madonna
Litta) |
Mid-1490s |
Oil on panel on canvas |
42 x 33 |
Hermitage, Saint Petersburg |
Traditionally attributed, but disputed |
|
|
Portrait
of an Unknown woman (or La belle ferronnière)
|
1490–97 |
Oil on panel |
63 x 45 |
Musée du Louvre, Paris |
Generally accepted attribution |
|
|
The Crucifixion (portraits of the donors only) |
After 1495 |
Lime wash, dry finishes, and pastiglia fresco |
|
Convent of Sta Maria delle Grazie, Milan |
Generally not attributed |
|
|
The
Last Supper |
1495–97 |
Tempera on wall |
460 x 880 |
Refectory, Convent of Santa Maria della Grazie, Milan |
Own hand |
|
|
Three lunettes above The Last Supper |
1495–97 |
Tempera on wall |
Middle lunette: 335 base;
left and right lunettes: 225 base |
Refectory, Convent of Santa Maria della Grazie, Milan
|
Traditional attribution |
|
|
Interlacing branches |
1498 |
Tempera on plaster |
|
Sala delle Asse,
Castello Sforzesco, Milan |
Workshop |
|
|
Salvator
Mundi |
c.
1500 |
Oil on panel |
64.5
x 45.7 cm |
Louvre
Abu Dhabi, Abu Dhabi |
Generally accepted attribution |
|
|
The
Mona Lisa (or La Gioconda) |
1503–05 |
Oil on panel |
77 x 53 |
Musée du Louvre, Paris |
Own hand |
|
St Anne, the Virgin and the Infant Christ with a Lamb |
1503–19 |
Oil on panel |
168 x 130 |
Musée du Louvre, Paris |
With assistants |
|
|
The Battle of Anghiari |
1504–06 |
on wall |
Unknown |
Palazzo Vecchio, Florence [lost] |
Unknown |
|
|
The
Virgin with the Young St John, the Infant Christ and
an Angel (or The Virgin of the Rocks) |
c.
1506–08 |
Oil on panel |
189.5 x 120 |
National Gallery, London |
Collaborative work |
|
|
St
John the Baptist |
1508–19 |
Oil on panel |
72.9 x 56.3 |
Musée du Louvre, Paris |
Own hand |
|
|
Leda |
1510–15 |
On panel |
Unknown |
Lost or never executed |
Unknown |
|
|
St
John the Baptist (renamed Bacchus 17th
c.) |
1517–20 |
Oil on panel on canvas |
177 x 201 |
Musée du Louvre, Paris |
Own hand, or more likely, workshop (Francesco Melzi) |
|
|
Our Lady of the Assumption with St Dominic and Peter
of Verona, Lodovico il Moro and Beatrice d'Este |
Unknown |
On wall |
Unknown (in a lunette over the main entrance) |
Formerly, Convent of Sta Maria della Grazie, Milan [mostly
destroyed and painted over] |
Traditional attribution |
|
|
The Redeemer |
Unknown |
On wall |
Unknown (in a lunette over the door) |
Formerly, Convent of Sta Maria della Grazie, Milan [destroyed
1603] |
traditional attribution |
|
|
Virgin
and Child (or Virgin with the Yarn Winder) |
Unknown |
Unknown |
Unknown |
Lost |
Unknown |
|
|
 |
Other works by Leonardo da Vinci
Sources:
1. The Last da Vinci. Christie's, October 2017.
2. M. Kemp. Leonardo da Vinci: The Marvellous Works
of Nature and Man, revd. ed. Oxford, etc.: Oxford
University Press, 2006.
3. A. Ottino della Chiesa; L. D. Ettlinger. The
Complete Paintings of Leonardo Da Vinci, reprint.
Harmondsworth: Penguin Books, 1985..
Museums: Le Gallerie degli Uffizi, 2023;
Musée de Louvre, 2023; National
Gallery of Art, Washington, 2023; Veneranda Biblioteca
Ambrosiana, 2023.
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