Da Vinci's Adoration of the Magi is an unfinished work, believed to have been started around 1480, but abandoned when he left Florence for Milan the following year. The large-scale work depicts a complex and dynamic scene of the Virgin Mary and Child surrounded by the Magi offering their gifts. Figures are arranged in a semi-circle, with the Virgin and Child as the focal point. The background offers a glimpse into two contrasting landscapes: a ruined building under repair on the left and a chaotic battle scene with horsemen on the right. This juxtaposition of serenity and violence has been interpreted in various ways, possibly reflecting the turbulent political climate of Florence at the time. The painting is notable for its use of light and shadow, with a focus on chiaroscuro (dramatic use of contrast) evident in the unfinished figures. Leonardo's meticulous planning is demonstrated in the numerous preparatory drawings that have survived, offering insights into his compositional process. The painting also holds historical interest as it may include a self-portrait of the young Leonardo amongst the figures in the background.