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Venus and Anchises
Oil on canvas,
148.6 x 296.5, by William Blake Richmond, 1889–90
Walker Art Gallery, Liverpool
 
This portrayal of the mythological encounter between Venus and Anchises conveys the idea of love as a force of transformation. Inspired by Virgil’s Aeneid, the scene illustrates the moment when the goddess of love seduces the mortal prince. This is not just a fleeting romance, but a moment that shapes history, leading to the birth of Aeneas and the founding of Rome. The painting contrasts the changing seasons, with the remnants of autumn in one corner and the arrival of spring as fresh blossoms appear wherever Venus steps. The presence of lions suggests power, while doves dispersing sparrows may symbolise the triumph of divine love over the mundane. Though the scene is drawn from Greek mythology, Richmond sets it against a northern landscape, evoking an English spring to highlight renewal. His composition is rich in warm tones, soft textures, and flowing drapery, reinforcing the dreamlike atmosphere. Known for his decorative approach, he blends elements of Symbolism and Pre-Raphaelite influence, with luminous colours and intricate detailing enhancing its romantic and mythical quality.