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The Salutation of Beatrice
Oil and gold leaf on panel, mounted in a frame, each panel 74.9 x 80 cm, by
Dante Gabriel Rossetti, 1859–63
National Gallery of Canada


A diptych designed for the doors of a cupboard, these two panels illustrate scenes from Dante's Vita Nuova and Divina Comedia, depicting his encounters with his beloved Beatrice. On the left, Rossetti shows their first meeting in Florence, where Dante is struck by her ethereal presence. On the right, he imagines their reunion in Paradise after her death, emphasising the spiritual and transcendent nature of their bond. The other figures in the paintings are modelled on individuals from Rossetti's own circle. The cupboard was originally designed by William Morris for his own home, but Rossetti later removed the doors and replaced them with these paintings. The panels are mounted within a frame that Rossetti himself designed and inscribed with Italian texts.

On the left side, the inscriptions read:
'This marvellous lady appeared to me dressed in white, between two noble ladies of more advanced years. — Vita Nuova, Chapter 3'
and
'In her eyes my lady bears love.'

On the right side, they read:
'Above a white veil crowned with olive, a lady appeared to me, beneath a green mantle, clothed in the colour of living flame. — Divine Comedy, Purgatory, Canto 30'
and
'Look at me well: truly I am, truly I am Beatrice.'

At the top centre of the frame is the Latin phrase: Salvatici Beatricis, and at the bottom centre, the inscription reads: 'On Earth and in Eden.'