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The foetus in the womb,
with other studies and notes
Pen and ink over red chalk on paper, 30.4 x 22 cm, by Leonardo da Vinci,
c. 1511
The Royal Collection, London
This anatomical drawing provides a multifaceted exploration of human
reproduction, but with a fascinating glimpse into the limitations of
da Vinci's resources. The centrepiece is a meticulously detailed illustration
of a dissected uterus. Within its opened cavity lies a foetus, positioned
in complete breech with its legs crossed. Accompanying this central
image are a series of smaller sketches. These sketches provide magnified
views of specific structures, including the placenta, the surrounding
tissues of the uterus, and even additional details of the foetus itself.
Da Vinci's scientific curiosity extends beyond the main illustration.
A geometric diagram theorises how the foetus might position itself for
birth. However, annotations scattered across the page reveal both his
insights and the limitations of his research. He explores the function
of the umbilical cord and the structure of the placenta, but crucially,
his understanding of the placenta is based on his dissections of a cow.
This is evident in a note requesting further study of 'the secondine
[fetal membranes] of calves' to understand the 'shape of the cotyledons'.
Despite this reliance on animal models, da Vinci delves into philosophical
concepts. One annotation ponders the possibility of a shared soul existing
between mother and child, with further notes suggesting a connection
between the mother's desires and potential markings on the infant. The
work reflects da Vinci's dedication to both scientific inquiry and artistic
expression. The detailed illustrations showcase his scientific rigour,
while the use of red chalk and swirling lines hint at a deeper fascination
with the mystery of life itself.
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Provenance
Francesco
Melzi
Pompeo
Leoni, c. 1582-90
Thomas
Howard, 14th Earl of Arundel, by 1630
Probably
Charles II, King of Great Britain
Royal
Collection, by 1690
Source: The Royal Collection, 2023.
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