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Design for stage dress 'Death'
Pen and ink, gouache, and watercolour; 57.2 x 38.4 cm, by Claud Lovat Fraser, 1921
National Gallery of Victoria, Australia


Fraser’s costume design for the character of Death in Everyman: A Morality Play reflects the stark, unrelenting nature of the figure it represents. The illustration features a skeletal figure draped in a tattered red cloak, with bold black-and-white stripes accentuating the emaciated form. The hollow-eyed face, partially obscured by a yellow cap, adds to the eerie, otherworldly presence of the character. A drum slung across the figure’s torso, decorated with green and gold, suggests the relentless march of fate, reinforcing Death’s inevitable summons in the play. Everyman, a late 15th-century allegorical drama, explores themes of life, death, and salvation, following the character of Everyman, who represents all of humanity, as he is suddenly called by Death to face divine judgment. Desperate to find companions for his final journey, he turns to personified figures such as Fellowship, Kindred, and Wealth, but they all abandon him. Only Good Deeds remains loyal, guiding Everyman towards redemption. Fraser’s design, with its striking contrast and theatrical stylisation, encapsulates the solemnity and finality of Death’s role in this medieval meditation on mortality and the Christian belief in the importance of virtue and repentance in securing a place in the afterlife.