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P
egbox and upper neck of a viola da gamba
Wood, 32.5 x 42.5 (bottom width), by René Champion, 1748
Collection Staatliche Museen zu Berlin


This piece from a viola da gamba reflects the stylistic conventions of the late Baroque period, where functional elements of musical instruments were often enriched with decorative detail. The scroll terminates in a sculpted human head, whose stylised features and balanced proportions reflect both aesthetic intention and symbolic function, firmly situated within the tradition of ornamentation common in continental European stringed instruments of the time. The row of tuning holes along the curved shaft served the practical purpose of securing tuning pegs, while the flattened surface above indicates the area where the hand would rest during performance, its smoothness attesting to prolonged use.