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Cat stealing prawn
Watercolour and graphite on paper, 45.0 x 28.4 cm, anonymous (India), 19th century
DAG Museums
 
A scene tracing its roots to the 19th-century Kalighat patachitra, a distinctive Bengali painting tradition with even deeper historical origins. While Jamini Roy, a pioneering modern Bengali artist, brought widespread recognition to this imagery, the symbolic cat-and-fish theme existed long before his interpretations. The theme is based on a Bengali proverb, with the cat serving as a satirical representation of a false ascetic who, despite renouncing the world, is unable to control its lust. The fish, or in this case, the prawn, represents forbidden desires or material temptations. The artist's technical shortcomings are evident in the cat's unrealistic circular markings and the anatomically incorrect positioning of the right foreleg, which extends beyond its proper placement.