| Films
Directed |
|
# |
Year |
Title |
Genre |
|
1 |
1922 |
Number
Thirteen (AKA Mrs Peabody)¹ |
[unknown] |
|
2 |
1926 |
The Pleasure Garden |
Drama |
|
3 |
1926 |
The
Lodger: A Story of the London Fog (USA: The Case
of Jonathan Drew) |
Crime |
|
4 |
1926 |
The
Mountain Eagle (USA: Fear O' God) |
Drama |
|
5 |
1927 |
Downhill
(USA: When Boys Leave Home) |
Drama |
|
6 |
1927 |
Easy Virtue |
Drama |
|
7 |
1927 |
The Ring |
Sport |
|
8 |
1928 |
The Farmer's Wife |
Comedy |
|
9 |
1928 |
Champagne |
Comedy |
|
10 |
1929 |
The Manxman |
Drama |
|
11 |
1929 |
Blackmail
(silent and sound versions) |
Crime |
|
12 |
1929 |
Juno
and the Paycock (USA: The Shame of Mary Boyle) |
Drama |
|
13 |
1930 |
An
Elastic Affair (short sketch) |
Comedy |
|
14 |
1930 |
Elstree
Calling (USA: Hello Everybody) (AH's contribution:
'sketches and other interpolated items') |
Revue |
|
15 |
1930 |
Murder! |
Crime |
|
[15] |
1930 |
Mary!
(German version of Murder!) |
Crime |
|
16 |
1931 |
The Skin Game |
Drama |
|
17 |
1932 |
Rich
and Strange (USA: East of Shanghai) |
Comedy |
|
18 |
1932 |
Number
Seventeen |
Crime |
|
19 |
1934 |
Waltzes
From Vienna (USA: Strauss’ Great Waltz/The
Strauss Waltz) |
Musical |
|
20 |
1934 |
The Man Who Knew Too Much |
Crime |
|
21 |
1935 |
The 39 Steps |
Crime |
|
22 |
1936 |
Secret Agent |
Crime |
|
23 |
1936 |
Sabotage
(USA: The Woman Alone) |
Crime |
|
24 |
1937 |
Young
and Innocent (USA: The Girl Was Young) |
Crime |
|
25 |
1938 |
The Lady Vanishes |
Crime |
|
26 |
1939 |
Jamaica Inn |
Adventure |
|
27 |
1940 |
The
House across the Bay³ |
Drama |
|
28 |
1940 |
Rebecca |
Drama |
|
29 |
1940 |
Foreign Correspondent |
War |
|
30 |
1941 |
Mr. and Mrs. Smith |
Comedy |
|
31 |
1941 |
Suspicion |
Drama |
|
32 |
1942 |
Saboteur |
War |
|
33 |
1943 |
Shadow of a Doubt |
Drama |
|
34 |
1944 |
Lifeboat |
War |
|
35 |
1944 |
Bon
Voyage (short) |
War |
|
36 |
1944 |
Aventure
Malgache (short) |
War |
|
37 |
1945 |
Spellbound |
Drama |
|
38 |
1945 |
Memory
of the Camps¹ |
War |
|
39 |
1946 |
Notorious |
Drama |
|
40 |
1947 |
The Paradine Case |
Drama |
|
41 |
1948 |
Rope |
Crime |
|
42 |
1949 |
Under Capricorn |
Romance |
|
43 |
1950 |
Stage Fright |
Crime |
|
44 |
1951 |
Strangers on a Train |
Crime |
|
45 |
1953 |
I Confess |
Drama |
|
46 |
1954 |
Dial M for Murder |
Crime |
|
47 |
1954 |
Rear Window |
Crime |
|
48 |
1955 |
To Catch a Thief |
Crime |
|
49 |
1955 |
The Trouble with Harry |
Comedy |
|
50 |
1956 |
The Man Who Knew Too Much |
Crime |
|
51 |
1956 |
The Wrong Man |
Drama |
|
52 |
1958 |
Vertigo |
Drama |
|
53 |
1959 |
North by Northwest |
Crime |
|
54 |
1960 |
Psycho |
Horror |
|
55 |
1963 |
The Birds |
Horror |
|
56 |
1964 |
Marnie |
Crime |
|
57 |
1966 |
Torn Curtain |
Espionage |
|
58 |
1969 |
Topaz |
Crime |
|
59 |
1972 |
Frenzy |
Crime |
|
60 |
1976 |
Family Plot |
Crime |
| Other
Film Credits |
|
# |
Year |
Role |
Title |
Genre |
| 1 |
1920 |
Title
designer |
The
Great Day |
Drama |
| 2 |
1920 |
Title
designer |
The
Call of Youth |
Romance |
| 3 |
1921 |
Title
designer |
Appearances |
Drama |
| 4 |
1921 |
Title
designer |
The
Princess of New York |
Crime |
| 5 |
1921 |
Title
designer |
Dangerous
Lies |
Drama |
| 6 |
1921 |
Title
designer |
The
Mystery Road |
Drama |
| 7 |
1921 |
Title
designer |
Beside
the Bonnie Brier Bush (USA: The Bonnie Brier Bush) |
Romance |
| 8 |
1922 |
Title
designer, art director |
Three
Live Ghosts |
Comedy |
| 9 |
1922 |
Title
designer, art director |
Perpetua
(USA: Love’s Boomerang) |
Crime |
| 10 |
1922 |
Title
designer, art director |
The
Man from Home |
Crime |
| 11 |
1922 |
Title
designer, art director |
Spanish
Jade |
Crime |
| 12 |
1922 |
Title
designer, art director |
Tell
Your Children |
Romance |
| 13 |
1922 |
Producer |
Number
Thirteen (AKA Mrs Peabody) (unfinished) |
unknown |
| 14 |
1923 |
Production manager, co-director |
Always
Tell Your Wife² |
Comedy |
| 15 |
1923 |
Screenwriter,
art director, assistant director |
Woman
to Woman |
Romance |
| 16 |
1924 |
Screenwriter,
art director, assistant director |
The
White Shadow (USA: White Shadows) |
Drama |
| 17 |
1924 |
Screenwriter,
art director, assistant director |
The
Passionate Adventure |
Drama |
| 18 |
1925 |
Screenwriter,
art director, assistant director |
The
Blackguard |
Drama |
| 19 |
1925 |
Screenwriter,
art director, assistant director |
The
Prude’s Fall (USA: Dangerous Virtue) |
Romance |
| 20 |
1926 |
Co-screenwriter |
The
Lodger: A Story of the London Fog (USA: The Case of
Jonathan Drew) |
Crime |
| 21 |
1927 |
Co-screenwriter |
The
Ring |
Sport |
| 22 |
1928 |
Co-screenwriter |
The
Farmer's Wife |
Comedy |
| 23 |
1928 |
Adaptor |
Champagne |
Comedy |
| 24 |
1929 |
Screenwriter |
Blackmail
(silent version) |
Crime |
| 25 |
1929 |
Adaptor |
Blackmail
(sound version) |
Crime |
| 26 |
1929 |
Adaptor |
Juno
and the Paycock (USA: The Shame of Mary Boyle) |
Drama |
| 27 |
1930 |
Co-adaptor |
Murder! |
Crime |
| 28 |
1931 |
Adaptor |
The
Skin Game |
Drama |
| 29 |
1931 |
Co-screenwriter |
Rich
and Strange (USA: East of Shanghai) |
Comedy |
| 30 |
1932 |
Co-screenwriter |
Number
Seventeen |
Crime |
| 31 |
1932 |
Producer |
Lord
Camber’s Ladies |
Drama |
| 32 |
1945 |
Treatment
adviser |
Memory
of the Camps¹ |
War |
| 33 |
1946 |
Producer |
Notorious |
Drama |
| 34 |
1948 |
Co-producer |
Rope |
Crime |
| 35 |
1949 |
Co-producer |
Under
Capricorn |
Romance |
| 36 |
1950 |
Producer |
Stage
Fright |
Crime |
| 37 |
1951 |
Producer |
Strangers
on a Train |
Crime |
| 38 |
1953 |
Producer |
I
Confess |
Drama |
| 39 |
1954 |
Producer |
Dial
M for Murder |
Crime |
| 40 |
1954 |
Producer |
Rear
Window |
Crime |
| 41 |
1955 |
Producer |
To
Catch a Thief |
Crime |
| 42 |
1955 |
Producer |
The
Trouble with Harry |
Comedy |
| 43 |
1956 |
Producer |
The
Man Who Knew Too Much |
Crime |
| 44 |
1956 |
Producer |
The
Wrong Man |
Drama |
| 45 |
1958 |
Producer |
Vertigo |
Drama |
| 46 |
1959 |
Producer |
North
by Northwest |
Crime |
| 47 |
1960 |
Producer |
Psycho |
Horror |
| 48 |
1963 |
Producer |
The
Birds |
Horror |
| 49 |
1964 |
Producer |
Marnie |
Crime |
| 50 |
1966 |
Producer |
Torn
Curtain |
Espionage |
| 51 |
1969 |
Producer |
Topaz |
Crime |
| 52 |
1972 |
Producer |
Frenzy |
Crime |
| 53 |
1976 |
Producer |
Family
Plot |
Crime |
|
Television Credits |
| # |
Air
Date |
Role |
Title |
Series |
| 1 |
1955-65 |
Producer |
Alfred
Hitchcock Presents (series) |
|
| 2 |
2
Oct 1955 |
Director |
'Revenge' |
Alfred Hitchcock Presents |
| 3 |
13
Nov 1955 |
Director |
'Breakdown' |
Alfred Hitchcock Presents |
| 4 |
4
Dec 1955 |
Director |
'The Case of Mr Pelham' |
Alfred Hitchcock Presents |
| 5 |
4
Mar 1956 |
Director |
'Back for Christmas' |
Alfred Hitchcock Presents |
| 6 |
30
Sep 1956 |
Director |
'Wet Saturday' |
Alfred Hitchcock Presents |
| 7 |
23
Dec 1956 |
Director |
'Mr Blanchard's Secret' |
Alfred Hitchcock Presents |
| 8 |
7
Apr 1957 |
Director |
'One More Mile to Go' |
Alfred Hitchcock Presents |
| 9 |
30
Sep 1957 |
Director |
'Four O'Clock' |
Suspicion |
| 10 |
20
Oct 1957 |
Director |
'The Perfect Crime' |
Alfred Hitchcock Presents |
| 11 |
13
Apr 1958 |
Director |
'Lamb to the Slaughter' |
Alfred Hitchcock Presents |
| 12 |
1
Jun 1958 |
Director |
'A Dip in the Pool' |
Alfred Hitchcock Presents |
| 13 |
5
Oct 1958 |
Director |
'Poison' |
Alfred Hitchcock Presents |
| 14 |
3
May 1959 |
Director |
'Banquo's Chair' |
Alfred Hitchcock Presents |
| 15 |
27
Sep 1959 |
Director |
'Arthur' |
Alfred Hitchcock Presents |
| 16 |
4
Oct 1959 |
Director |
'The Crystal Trench' |
Alfred Hitchcock Presents |
| 17 |
5
Apr 1960 |
Director |
'Incident at a Corner' |
Ford Star Time |
| 18 |
27
Sep 1960 |
Director |
'Mrs Bixby and the Colonel's Coat' |
Alfred Hitchcock Presents |
| 19 |
14
Mar 1961 |
Director |
'The Horseplayer' |
Alfred Hitchcock Presents |
| 20 |
17
Oct 1961 |
Director |
'Bang! You're Dead!' |
Alfred Hitchcock Presents |
| 21 |
11
Oct 1962 |
Director |
'I Saw the Whole Thing' |
The Alfred Hitchcock Hour |
 |
Notes
1. Unfinished
2. Only one of two reels survives.
3. Directed some scenes only.
Sources
Gifford, D. The British Film Catalogue. London; Chicago:
Fitzroy Dearborn, 2001.
McGillan, P. Alfred Hitchcock: A Life in Darkness and
Light. New York: HarperCollins, 2003.
|
