Agostinho Josť da Mota (1824–1878)

Born in Rio de Janeiro, da Mota was a Brazilian painter and art educator, celebrated for his masterful landscapes and still lifes. His artistic inclinations emerged early, leading him to enroll at the Imperial Academy of Fine Arts in 1837. His exceptional talent was evident, and he was awarded the prestigious travel prize to Europe in 1850. Embarking on this enriching journey, da Mota spent eight years immersed in the artistic milieu of Rome, where he studied under the guidance of the acclaimed French landscape painter Jean-Achille Benouville. This mentorship proved pivotal in shaping da Mota's artistic direction, as he absorbed the nuances of plein air painting, a technique that emphasised capturing the essence of nature through direct observation. Upon returning to Brazil in 1859, da Mota embraced his role as a prominent figure in the Brazilian art scene. He assumed the position of professor at the Imperial Academy of Fine Arts, nurturing a new generation of artists and imparting his knowledge and expertise. His influence extended beyond the classroom, as he actively participated in the annual general exhibitions of fine arts, earning accolades such as the gold medal in 1852, the Order of the Rose in 1868, and the Order of Christ in 1871. Among his notable students were Modesto Brocos, Henrique Bernardelli, Pedro Peres, Firmino Monteiro, and Josť Maria de Medeiros, who went on to become esteemed painters in their own right. Da Mota's artistic legacy is further enriched by his patronage from Empress Teresa Cristina, who commissioned him to create several still lifes. His mastery of light, colour, and composition, coupled with his keen eye for capturing the beauty of everyday objects, elevated his still lifes to masterpieces of Brazilian art. Throughout his career, da Mota remained committed to capturing the essence of Brazil's natural landscapes and vibrant flora. His paintings exude a sense of tranquillity and harmony, inviting viewers to immerse themselves in the serenity of the Brazilian countryside. He was a forerunner of outdoor painting in Brazil, paving the way for the artistic movements that would follow. Agostinho Josť da Mota died at Rio de Janeiro in 1878.









Amazon Ads