| Paintings |
|
Title |
Date |
Medium |
Dimensions[1]
|
Location |
|
Male
Torso |
1800 |
Oil
on canvas |
102
x 80 |
École
Nationale Supérieure des Beaux-Arts, Paris |
|
|
Pierre-François
Bernier |
c.
1800 |
Oil
on paper mounted on canvas |
45
x 37 |
Memorial
Art Gallery, University of Rochester |
|
|
The
Ambassadors of Agamemnon |
1801 |
Oil
on canvas |
110
x 155 |
École
Nationale Supérieure des Beaux-Arts, Paris |
|
|
Bonaparte
as First Consul |
1804 |
Oil
on canvas |
227
x 147 |
Musée
d'Armes, Liege |
|
|
Jean-Marie-Joseph
Ingres |
1804 |
Oil
on canvas |
55
x 47 |
Musée
Ingres, Montauban |
|
|
Self-portrait
[Probably reworked and is now the 1850 portrait] |
1804/1850 |
Oil on canvas |
78.1 x 61 or unknown |
Musée Condé, if it is the 1850 portrait, otherwise, lost[2] |
|
|
Young
Man with an Earring |
1804 |
Oil
on canvas |
41
x 33 |
Musée
Ingres, Montauban |
|
|
Philibert
Rivière |
1804-05 |
Oil
on canvas |
115
x 90 |
Musée
du Louvre |
|
|
Jean-Pierre-François
Gilibert |
1804-05 |
Oil
on canvas |
99
x 81 |
Musée
Ingres, Montauban |
|
|
Philibert
Rivière |
1804-05 |
Oil
on canvas |
115
x 90 |
Musée
du Louvre |
|
|
Jean-Pierre-François
Gilibert |
1804-05 |
Oil
on canvas |
99
x 81 |
Musée
Ingres, Montauban |
|
|
Monsieur
Belvéze-Foulon |
1805 |
Oil
on canvas |
55
x 46 |
Musée
Ingres, Montauban |
|
|
Joseph
Vialètes de Mortarieu |
1805 |
Oil
on canvas |
56
x 46 |
Norton
Simon Museum |
|
|
Lorenzo
Bartolini |
1805 |
Oil
on canvas |
98
x 80 |
Musée
Ingres, Montauban |
|
|
Père
Desmarets |
1805 |
Oil
on canvas |
64.8
x 54.5 |
Musée
des Augustins, Toulouse |
|
|
Aphrodite
Wounded by Diomedes |
c.
1805 |
Oil
on canvas |
26.5
x 33 |
Kunstmuseum,
Basel |
|
|
Madame
Aymon (La Belle Zélie) |
1806 |
Oil
on canvas |
59
x 49 |
Musée
des Beaux-Arts, Rouen |
|
|
Madame
Philibert Rivière, née Marie-Françoise-Jacquette-Bibiane Blot
de Beauregard |
1806 |
Oil
on canvas |
116
x 90 |
Musée
du Louvre |
|
|
Mademoiselle
Caroline Rivière |
1806 |
Oil
on canvas |
99.5
x 64.5 |
Musée
du Louvre |
|
|
Napoleon
I on His Imperial Throne |
1806 |
Oil
on canvas |
259
x 162 |
Musée
de l'Armée, Paris |
|
|
Madame
Duvaucey |
1807 |
Oil
on canvas |
76
x 59 |
Musée
Condé |
|
|
The
Bather of Valpinçon |
1808 |
Oil
on canvas |
146
x 97 |
Musée
du Louvre |
|
|
Oedipus
and the Sphinx |
1808 |
Oil
on canvas |
189
x 144 |
Musée
du Louvre |
|
|
Venus
Anadyomene |
1808-48 |
Oil
on canvas |
193
x 92 |
Musée
Condé |
|
|
François-Marius
Granet |
1809 |
Oil
on canvas |
74.5
x 63.2 |
Musée
Granet, Aix-en-Provence |
|
|
Charles-Marie-Jean-Baptiste
Marcotte (Marcotte d'Argenteuil) |
1810 |
Oil
on canvas |
93.7
x 69.4 |
National Gallery of Art, Washington, D.C. |
|
|
Joseph-Antoine
Moltedo |
c.
1810 |
Oil
on canvas |
75.2
x 58.1 |
The
Metropolitan Museum of Art |
|
|
Jean-Baptiste
Desdéban |
c.
1810 |
Oil
on canvas |
63
x 49 |
Musée
des Beaux-Arts et d'Archéologie, Besançon |
|
|
Paul
Lemoyne |
c.
1810-11 |
Oil
on canvas |
46
x 35 |
The
Nelson-Atkins Museum of Art, Kansas City |
|
|
Edme-François-Joseph
Bochet |
1811 |
Oil
on canvas |
94
x 69 |
Musée
du Louvre |
|
|
Jupiter
and Thetis |
1811 |
Oil
on canvas |
327
x 260 |
Musée
Granet |
|
|
Charles-Joseph-Laurent
Cordier[5] |
1811 |
Oil
on canvas |
90
x 60 |
Musée
du Louvre |
|
|
Hippolyte-François
Devillers |
1811 |
Oil
on canvas |
96.5
x 78.5 |
Foundation
E. G. Bührle Collection, Zurich |
|
|
Jacques
Marquet, Baron de Montbreton de Norvins |
1811
[reworked after 1814] |
Oil
on canvas |
97.2
x 78.7 |
The
Trustees of the National Gallery, London |
|
|
Madame
Henri-Philippe-Joseph Panckoucke, née Cécile-Françoise Bochet |
1811 |
Oil
on canvas |
93
x 68 |
Musée
du Louvre |
|
|
Romulus,
Conqueror of Acron |
1812 |
Oil
on canvas |
276
x 530 |
Musée
du Louvre |
|
|
Comtesse
de Tournon, née Geneviève de Seytres Caumont |
1812 |
Oil
on canvas |
92
x 73 |
Philadelphia
Museum of Art |
|
|
Virgil
Reciting from The Aeneid |
1812 |
Oil
on canvas |
304
x 323 |
Musée
des Augustins, Toulouse |
|
|
The
Betrothal of Raphael |
1813-14 |
Oil
on canvas |
59
x 46 |
Walters
Art Gallery |
|
|
Queen
Caroline Murat |
1814 |
Oil
on canvas |
92
x 60 |
Private
collection |
|
|
Madame
de Senonnes, née Marie-Geneviève-Marguerite Marcoz, later
Vicomtesse de Senonnes |
1814 |
Oil
on canvas |
106
x 84 |
Musée
des Beaux-Arts, Nantes |
|
|
Raphael
and the Fornarina |
1814 |
Oil
on canvas |
68
x 55 |
Fogg
Art Museum |
|
|
The
Sistine Chapel |
1814 |
Oil
on canvas |
74.5
x 92.7 |
National Gallery of Art, Washington, D.C. |
|
|
Grande
Odalisque |
1814 |
Oil
on canvas |
91
x 162 |
Musée
du Louvre |
|
|
Paolo
and Francesca |
1814 |
Oil
on wood |
35
x 28 |
Musée
Condé |
|
|
Madame
Jean-Auguste-Dominique Ingres, née Madeleine Chapelle
|
1814? |
Oil
on canvas |
68
x 54 |
Foundation
E. G. Bührle Collection, Zurich |
|
|
Roger
Freeing Angelica |
1819 |
Oil
on canvas |
145
x 187 |
Musée
du Louvre |
|
|
Lorenzo
Bartolini |
1820 |
Oil
on canvas |
106
x 85.1 |
Musée
du Louvre |
|
|
Christ
Giving the Keys to Saint Peter |
1820 |
Oil
on canvas |
280
x 217 |
Musée
Ingres, Montauban |
|
|
Self-Portrait
(after Raphael) |
1820-24 |
Oil
on canvas |
43
x 34 |
Musée
Ingres, Montauban |
|
|
Maddalena
Doni, Study of a Woman's Hands (after Raphael) |
1820-24 |
Oil
on canvas |
28
x 23 |
Musée
Bonnat, Bayonne |
|
|
The
Entry into Paris of the Dauphin, the Future Charles V |
1821 |
Oil
on wood |
47
x 55.9 |
Wadsworth
Atheneum, Hartford |
|
|
Count
Nikolai Dmitrievich Gouriev[6] |
1821 |
Oil
on canvas |
107
x 86 |
State
Hermitage Museum |
|
|
Mademoiselle
Jeanne-Suzanne-Catherine Gonin, later Madame Pyrame Thomeguex |
1821 |
Oil
on canvas |
76.2
x 59.1 |
The
Taft Museum |
|
|
Madonna
della Granduca (after Raphael) |
1821-24 |
Oil
on paper |
34
x 24 |
Musée
Ingres, Montauban |
|
|
The
Venus of Urbino (after Titian) |
1822 |
Oil
on canvas |
115.8
x 168 |
Walters
Art Gallery |
|
|
Madame
Jacques-Louis Leblanc (née Françoise Poncelle) |
1823 |
Oil
on canvas |
119.4
x 92.7 |
The
Metropolitan Museum of Art |
|
|
Isaure-Juliette-Josephine
Leblanc |
1823 |
Oil
on canvas |
38
x 30 |
Mokhtar
Museum, Gezira |
|
|
Jacques-Louis
Leblanc |
1823 |
Oil
on canvas |
121
x 95.6 |
The
Metropolitan Museum of Art |
|
|
The
Vow of Louis XIII |
1824 |
Oil
on canvas |
421
x 262 |
Notre-Dame
Cathedral, Montauban |
|
|
Madame
Marie Marcotte (Marcotte de Sainte-Marie), née Suzanne-Clarisse
de Salvaing de Boissieu |
1826 |
Oil
on canvas |
93
x 74 |
Musée
du Louvre |
|
|
Amédée-David,
Comte de Pastoret |
1826 |
Oil
on canvas |
103
x 83.5 |
The
Art Institute of Chicago |
|
|
The
Apotheosis of Homer |
1827 |
Oil
on canvas |
152
x 203 |
Musée
du Louvre |
|
|
Oedipus
and the Sphinx |
c. 1826 |
Oil
on canvas |
17.5 x 13.7 |
The National Gallery |
 |
|
La
petite baigneuse, or Intérieur de harem |
1828 |
Oil
on canvas |
35
x 27 |
Musée
du Louvre |
|
|
Charles
X in His Coronation Robes |
1829 |
Oil
on canvas |
128.9
x 90.2 |
Musée
Bonnat, Bayonne |
|
|
La
Source |
c.
1830-56 |
Oil
on canvas |
163
x 80 |
Musée
d'Orsay |
|
|
Madame
Clément Boulanger, née Marie-Elisabeth Blavot, later Madame
Edmond Cavé |
1830s? |
Oil
on canvas |
40.6
x 32.7 |
The
Metropolitan Museum of Art |
|
|
Louis-Francois
Bertin |
1832 |
Oil
on canvas |
116
x 95 |
Musée
du Louvre |
|
|
Study
for 'The Martyrdom of Saint Symphorian' |
1833 |
Oil,
graphite, and red chalk on canvas, mounted on wood |
61.3
x 49.3 |
Fogg
Art Museum |
|
|
Study
for 'The Martyrdom of Saint Symphorian' |
1833 |
Oil and graphite on canvas, mounted on aluminium |
61.8
x 50.1 |
Fogg
Art Museum |
|
|
The
Martyrdom of Saint Symphorian |
1834 |
Oil
on canvas |
407
x 339 |
Cathedral of Saint-Lazare, Autun |
|
|
Comte
Louis-Mathieu Molé |
1834 |
Oil
on canvas |
147
x 114 |
Private
collection |
|
|
Odalisque
with Slave |
1840 |
Oil
on wood |
72.4
x 100.3 |
Fogg
Art Museum |
|
|
Antiochus
and Stratonice |
1840 |
Oil
on canvas |
57.2
x 98.1 |
Musée
Condé |
|
|
The
Virgin with the Host |
1841 |
Oil
on canvas |
116
x 84 |
State
Pushkin Museum of Fine Arts |
|
|
Ferdinand-Philippe-Louis-Charles-Henri,
Duc d' Orléans |
1842 |
Oil
on canvas |
158
x 122 |
Private
collection |
|
|
Cherubini
and the Muse of Lyric Poetry |
1842 |
Oil
on canvas |
105.1
x 94 |
Musée
du Louvre |
|
|
First
Oil Sketch for 'Comtesse
d'Haussonville' |
1842 |
Oil
on canvas |
111.5
x 75.5 |
Galerie
Jan Krugier |
|
|
The
Golden Age |
1842-47 |
Oil
on plaster |
480
x 660 |
Château
de Dampierre, Yvelines |
|
|
Jesus
among the Doctors |
1842-62 |
Oil
study on canvas |
265
x 320 |
Musée
Ingres, Montauban |
|
|
Ferdinand-Philippe,
Duc d' Orléans |
1843 |
Oil
on canvas |
156
x 120 |
Musée National du Château, Versailles |
|
|
Ferdinand-Philippe-Louis-Charles-Henri,
Duc d' Orléans |
1844 |
Oil
on canvas |
218
x 131 |
Musée
National du Château, Versailles |
|
|
Hygin-Edmond-Ludovic-Auguste
Cavé |
1844 |
Oil
on canvas |
40.7
x 32.7 |
The
Metropolitan Museum of Art |
|
|
Vicomtesse
Othenin d'Haussonville, née Louise-Albertine de Broglie
|
1845 |
Oil
on canvas |
131.8
x 92 |
The
Frick Collection, New York |
|
|
Madame
Henri Gonse, née Josephine-Caroline Maille |
1845-52 |
Oil
on canvas |
73
x 62 |
Musée
Ingres, Montauban |
|
|
Madame
Fréderic Reiset, née Augustine-Modeste-Hortense Reiset |
1846 |
Oil
on canvas |
60
x 47 |
Fogg
Art Museum |
|
|
Baronne
James de Rothschild, née Betty von Rothschild |
1848 |
Oil
on canvas |
141.9
x 101 |
Private
collection |
|
|
Self-portrait
[probably the 1804 portrait reworked] |
1850/1804 |
Oil
on canvas |
78.1
x 61 |
Musée
Condé |
|
|
Madame
Paul-Sigisbert Moitessier, née Marie-Clotilde-Inès de Foucauld |
1851 |
Oil
on canvas |
146.7
x 100.3 |
National Gallery of Art, Washington, D.C. |
|
|
Joan of Arc at the Coronation of Charles VII in the Cathedral
of Rheims |
1851-54 |
Oil
on canvas |
240
x 178 |
Musée
du Louvre |
|
|
Venus
on Paphos [Antonie Balaÿ] |
1852 |
Oil
on canvas |
91.5
x 70.5 |
Musée
d'Orsay |
|
|
Study
for 'The Apotheosis of Napoleon I' |
1853 |
Oil
on canvas |
48.9
diam. |
Musée
Carnavalet |
|
|
Princesse
Albert de Broglie, née Josephine-Eléonore-Marie-Pauline de
Galard de Brassac de Béarn |
1853 |
Oil
on canvas |
121.3
x 90.8 |
The
Metropolitan Museum of Art |
|
|
Study
for 'The Apotheosis of Napoleon I' |
1853 |
Oil
on canvas |
48.9
diam. |
Musée
du Louvre |
|
|
The
Apotheosis of Napoleon I |
1854 |
Ceiling
mural |
|
Hotel
de Ville, Paris - destroyed |
|
|
The
Virgin with the Host |
1854 |
Oil
on canvas |
113
diam. |
Musée
d'Orsay |
|
|
Napoléon-Joseph-Charles-Paul
Bonaparte, called Prince Napoleon |
1855 |
|
|
Destroyed |
|
|
Isabelle
Hittorff, later Madame Gaudry |
bef.
1856 |
Oil
on canvas |
33
diam. |
Musée
des Beaux-Arts, Grenoble |
|
|
Madame
Paul-Sigisbert Moitessier, née Marie-Clotilde-Inès de Foucauld
|
1856 |
Oil
on canvas |
120
x 92.1 |
The
Trustees of the National Gallery, London |
|
|
Self-Portrait
at Seventy-Eight |
1858 |
Oil
on canvas |
62
x 51 |
Galleria
degli Uffizi |
|
|
Venus
Anadyomene |
c.
1858 |
Oil
on canvas |
31.4
x 20 |
Musée
du Louvre |
|
|
Self-Portrait
at the Age of Seventy-nine |
1859 |
Oil
on paper |
64.8
x 52.1 |
Fogg
Art Museum |
|
|
Madame
J.-A.-D. Ingres, née Delphine Ramel |
1859 |
Oil
on canvas |
63
x 50 |
Oskar
Reinhart Collection |
|
|
The
Golden Age |
1862 |
Oil
on paper, mounted on wood |
46.4
x 61.9 |
Fogg
Art Museum |
|
|
The
Turkish Bath |
1852-59, 1862 |
Oil
on paper, mounted on wood |
108
diam. |
Musée
du Louvre |
|
|
Minerva |
1864 |
Oil
on canvas |
32
diam. |
Wallraf-Richartz-Museum |
|
|
Oedipus
and the Sphinx |
1864 |
Oil
on canvas |
105.5 x 87s |
Walters Art Museum |
 |
|
Self-Portrait |
1864-65 |
Oil
on canvas |
64
x 53 |
Koninklijk
Museum voor Schone Kunsten |
|
| Drawings |
| Title |
Date |
Medium |
Dimensions[1]
|
Location |
|
Jean
Moulet |
1791 |
Red
chalk on paper |
13.6
x 11.1 |
Musée
Ingres, Montauban |
|
|
Portrait
of a Boy |
c.
1793-94 |
Graphite
with touches of red watercolour, with a band of green watercolour
at the edge of the paper |
10.8
diam. |
The
Pierpont Morgan Library, New York |
 |
|
Unknown
Man |
1796 |
Graphite
on parchment, with a band of green watercolour at the edge
of the paper |
13.7
diam. |
National Gallery of Art, Washington, D.C. |
|
|
Monsieur
Brochard |
1796 |
Graphite |
7.9
diam. |
Private collection |
|
|
Monsieur
Brochard in Classical Costume |
c.
1796 |
Graphite
and grey ink |
9.4
diam. |
Crocker
Art Museum, Sacramento, CA |
|
|
Joseph
Ingres and His Daughters Augustine and Anne-Marie |
c.
1796 |
Graphite,
ink, and wash on paper |
17.1
x 25.2 |
Musée
Ingres, Montauban |
|
|
Portrait
of a Man |
1797 |
Graphite
|
7.6
diam. |
Musée
du Louvre |
|
|
Belisarius
(after François Gérard) |
c.
1797 |
Charcoal,
black chalk, and graphite on paper |
62.9
x 49.3 |
Phyllis
Hattis Fine Arts |
|
|
Portrait
of a Man |
c.
1797 |
Graphite |
7.5
diameter |
Ashmolean
Museum, Oxford |
|
|
Barbara
Bansi |
c.
1797 |
Black
chalk, stumped, with white highlights |
55.4
x 40.5 |
Musée
du Louvre |
|
|
Pierre-Guillaume
Cazeaux |
1798 |
Black
chalk, stumped, with white highlights on paper |
27.4
x 21 |
Private
collection |
|
|
Self-Portrait[3] |
unknown |
Graphite
on tracing paper glued to paper |
31.3
x 20.6 |
Musée
du Louvre |
|
|
Madame
Récamier [after Jacques-Louis David] |
c.
1800 |
Graphite
and red chalk on paper |
6.8
x 11.3 |
Musée
Ingres, Montauban |
|
|
Jean-Charles-Auguste
Simon |
1802-03 |
Black
chalk, stumped, with white highlights |
40.8
x 35.9 |
Musée
des Beaux-Arts, Orléans |
|
|
Bonaparte
as First Consul |
1803-04 |
Brown
ink and grey wash |
22.5
x 15.2 |
Private
collection |
|
|
Henriette
Harvey and Her Half Sister, Elizabeth Norton |
1804 |
Grey
watercolour and graphite on paper |
28
x 18.3 |
Musée
du Louvre |
|
|
Drawing
after the Portrait of Belveze-Foulon |
1805 |
Graphite
on paper |
12
x 9.9 |
Musée
Ingres, Montauban |
|
|
Napoleon
at the Kehl Bridge |
bef.
1806 |
Graphite
and pen on paper |
28
x 37.7 |
Musée
Ingres, Montauban |
|
|
Madame
Béranger |
bef.
1806 |
Graphite
and ink on paper |
|
Private
collection |
|
|
La
Belle Ferronière (after da Vinci) |
bef.
1806 |
Charcoal
on paper |
52.5
x 41.8 |
Barber
Institute of Fine Arts, Birmingham University |
|
|
The
Forestier Family |
1806 |
Graphite
on paper |
23.3
x 31.9 |
Musée
du Louvre |
|
|
The
Forestier Family |
n.d. |
Graphite |
24.1
x 32.5 |
Musée
Ingres, Montauban |
|
|
Jean-Charles-Auguste
Simon |
1806 |
Graphite,
with white highlights |
26.9
x 21.5 |
Musée
des Beaux-Arts, Orléans |
|
|
Jean-François-Julien
Ménager |
1806 |
Graphite |
24.2
x 17.5 |
Private
collection |
|
|
Symbolic
Objects (Hand of Justice; Sceptre of 'Dagobert') |
1806 |
Graphite
on paper |
12.1
x 8.8 |
Musée
Ingres, Montauban |
|
|
An
Emperor Seated on His Throne (after a Byzantine ivory) |
1806 |
Graphite
on tracing paper |
26.5
x 14.2 |
Musée
Ingres, Montauban |
|
|
The
Sceptre of Charles V |
1806 |
Graphite
on paper |
30
x 10.6 |
Musée
Ingres, Montauban |
|
|
Thomas-Charles
Naudet |
1806 |
Graphite
on paper |
23.8
x 17.5 |
Museum
of Art, Rhode Island School, of Design, Providence |
|
|
View
of the Villa Medici, Rome |
c.
1806 |
Graphite
on paper |
12
x 20 |
Fogg
Art Museum |
|
|
Antiochus
and Stratonice |
c.
1806 |
Graphite
and brown wash on paper |
29
x 40 |
Musée
du Louvre |
|
|
The
Villa Medici Seen from the San Gaetano Pavilion |
1807 |
Graphite
and sepia wash on paper |
28.9
x 23.1 |
Musée
Ingres, Montauban |
|
|
Madame
Duvaucey |
c.
1807 |
Graphite
and black chalk on paper |
30.1
x 23.2 |
Musée
Ingres, Montauban |
|
|
Lucien
Bonaparte |
c.
1807 |
Graphite |
23.6
x 18.5 |
Private
collection |
|
|
Victor
Dourlen |
1808 |
Graphite |
30.4
x 23.8 |
Private
collection |
|
|
Madame
Guillaume Guillon Lethière, née Marie-Joseph-Honorée
Vanzenne, and Her Son Lucien Lethière |
1808 |
Graphite |
24.1
x 18.7 |
The
Metropolitan Museum of Art |
|
|
Reclining
Nude |
c.
1808 |
Graphite
on paper |
15
x 16.6 |
Musée
Ingres, Montauban |
|
|
Reclining
Nude |
c.
1808 |
Graphite
on paper |
9.5
x 16.5 |
Musée
Ingres, Montauban |
|
|
The
Sleeper of Naples |
c.
1808 |
Graphite
on paper |
12.4
x 22.6 |
Private
collection |
|
|
Merry-Joseph
Blondel |
1809 |
Graphite |
17.6
x 14 |
The
Metropolitan Museum of Art |
|
|
View
of Rome[4] |
1809 |
Graphite
on paper |
27.8
x 21.7 |
Musée
Ingres, Montauban |
|
|
François-Marius
Granet |
1809 |
Graphite |
43.4
x 32.2 |
Musée
Ingres, Montauban |
|
|
Auguste-Jean-Marie
Guenepin |
1809 |
Graphite |
21
x 16.3 |
National Gallery of Art, Washington, D.C. |
|
|
Charles-François
Mallet |
1809 |
Graphite |
26.6
x 21.1 |
The
Art Institute of Chicago |
|
|
Madame
Guillaume Mallet, née Anne-Julie Houel |
1809 |
Graphite |
29
x 19.6 |
André
Bromberg |
|
|
André-Marie
Chatillon |
1810 |
Graphite
on paper |
22.4
x 16.5 |
Baltimore
Museum of Art |
|
|
Dr
Jean-Louis Robin |
c.
1810 |
Graphite |
28.1
x 22.2 |
The
Art Institute of Chicago |
|
|
Portrait
of a Man |
1811 |
Graphite |
20.4
x 15.3 |
Philadelphia
Museum of Art |
|
|
Charles
Marcotte |
1811 |
Graphite
on paper |
25
x 19.2 |
Private
collection |
|
|
Charles
Marcotte |
1811 |
Graphite
on paper |
21.9
x 15.7 |
Private
collection |
|
|
Madame
Henri-Philippe-Joseph Panckoucke, née Cécile-Françoise Bochet |
1811 |
Graphite
on paper |
31.5
x 23.9 |
Musée
Bonnat, Bayonne |
|
|
Jacques
Marquet, Baron de Montbreton de Norvins |
1811 |
Graphite |
26.8
x 21.1 |
Virginia
Museum of Fine Arts, Richmond |
|
|
François-Marius
Granet Seated |
1812 |
Graphite
on paper |
28.1
x 21.4 |
Musée
Granet |
|
|
Philippe
Mengin de Bionval |
1812 |
Graphite |
25.6
x 19.6 |
National Gallery of Art, Washington, D.C. |
|
|
Madame
Charles Hayard, née Jeanne-Susanne Alliou |
c.
1812 |
Graphite |
26.6
x 18 |
Fogg
Art Museum, |
|
|
Marie
Marcoz |
1813 |
Graphite
on paper |
26.6
x 19.7 |
Detroit
Institute of Arts |
|
|
Madame
Jean-Auguste-Dominique Ingres, née Madeleine Chapelle |
1813? |
Graphite
and watercolour |
21.5
x 14.8 |
Musée
Ingres, Montauban |
|
|
Study
of Madame de Senonnes |
1813-14 |
Graphite
on paper |
21.1
x 29.2 |
Musée
Ingres, Montauban |
|
|
Study
of Madame de Senonnes |
1813-14 |
Graphite
on paper |
13.4
x 8.1 |
Musée
Ingres, Montauban |
|
|
Study
of Madame de Senonnes |
1813-14 |
Graphite
on paper |
13
x 5.3 |
Musée
Ingres, Montauban |
|
|
Madame
Ingres Mère |
1814 |
Graphite
on paper |
20
x 15 |
Musée
Ingres, Montauban |
|
|
Portrait
of a Man (possibly Edme Bochet) |
1814 |
Graphite |
21.8
x 16.6 |
The
Metropolitan Museum of Art |
|
|
Head
of Queen Caroline Murat |
1814 |
Graphite
on paper |
4.6
x 4.9 |
Musée
Ingres, Montauban |
|
|
Studies
of Queen Caroline Murat |
1814 |
Graphite
on paper |
25.9
x 23 |
Musée
Ingres, Montauban |
|
|
Landscape
with Vesuvius |
1814 |
Graphite
on paper |
18.3
x 26.1 |
Musée
Ingres, Montauban |
|
|
Charles
Hayard and His Daughter Marguerite |
1815 |
Graphite |
30.8
x 22.9 |
The
British Museum, London |
|
|
Mademoiselle
Jeanne Hayard |
1815 |
Graphite |
28.5
x 21 |
Private
collection |
|
|
Guillaume
Guillon Lethière |
1815 |
Graphite |
27.1
x 21.1 |
The
Pierpont Morgan Library, New York |
|
|
Madame
Alexandre Lethière, née Rosa Meli, and Her Daughter,
Letizia |
1815 |
Graphite |
30
x 22 cm |
The
Metropolitan Museum of Art |
|
|
The
Alexandre Lethière Family |
1815 |
Graphite |
27.1
x 21.4 |
Museum
of Fine Arts, Boston |
|
|
Frau
Johann Gotthard Reinhold, née Sophie Amalie Dorothea
Wilhelmine Ritter, and Her Two Daughters, Susette and Marie
|
1815 |
Graphite |
29.6
x 21.7 |
Private
collection |
|
|
John
Russell, Sixth Duke of Bedford |
1815 |
Graphite |
37.8
x 28.5 |
The
Saint Louis Art Museum |
|
|
Lady
William Henry Cavendish Bentinck, née Lady Mary Acheson
|
1815 |
Graphite |
40.9
x 28.7 |
Rijksmuseum |
|
|
Madame
Lucien Bonaparte |
1815 |
Graphite
on paper |
37.8
x 29.5 |
Musée
Bonnat, Bayonne |
|
|
The
Family of Lucien Bonaparte |
1815 |
Graphite
on paper |
41
x 53.2 |
Fogg
Art Museum |
|
|
Henry
VIII (after Holbein) |
c.
1815-20? |
Graphite
on paper |
24
x 17.5 |
Private
collection |
|
|
Madame
R (possibly Mrs John Theophilus Rawdon, née Frances
Hall-Stevenson) |
c.
1815-30 |
Graphite |
20.4
x 16.6 |
The
Metropolitan Museum of Art |
|
|
Lord
William Henry Cavendish Bentinck and His Wife, née Lady Mary
Acheson |
1816 |
Graphite
on paper |
30.1
x 22.2 |
Musée
Bonnat |
|
|
Mrs
John Mackie, née Dorothea Sophia Des Champs |
1816 |
Graphite |
20.9
x 16.4 |
Victoria
& Albert
Museum |
|
|
Monsignor
Gabriel Cortois de Pressigny |
1816 |
Graphite
and watercolour |
27.8
x 19.4 |
Private
collection |
|
|
Mrs.
Charles Badham, née Margaret Campbell |
1816 |
Graphite |
26.3
x 21.8 |
National Gallery of Art, Washington, D.C. |
|
|
Lady
William Henry Cavendish Bentinck, née Lady Mary Acheson
|
1816 |
Graphite |
21.9
x 17 |
The
Metropolitan Museum of Art |
|
|
Lord
Grantham (Thomas Philip Robinson) |
1816 |
Graphite |
39.8
x 26.1 |
The
J. Paul Getty Museum |
|
|
Charles
Thomas Thruston |
1816 |
Graphite
and watercolour |
20.8
x 16.1 |
Private
collection |
|
|
Joseph
Woodhead and His Wife, née Harriet Comber, and Her
Brother, Henry George Wandesford Comber |
1816 |
Graphite |
30.4
x 22.4 |
Fitzwilliam
Museum |
|
|
Dr
Thomas Church |
1816 |
Graphite |
20.4
x 16 |
Los
Angeles County Museum of Art |
|
|
The
Reverend Joseph Church |
1816 |
Graphite |
20
x 16 |
Virginia
Museum of Fine Arts |
|
|
Alexander
Baillie |
1816 |
Graphite |
21.5
x 16.5 |
Private
collection |
|
|
Sir
John Hay and His Sister Mary |
1816 |
Graphite |
29.1
x 21.9 |
The
British Museum |
|
|
Madame
Louis-Nicolas-Marie
Destouches, née Armande-Edmee Charton |
1816 |
Graphite |
43
x 28.5 |
Musée
du Louvre |
|
|
Mademoiselle
Henriette-Ursule Claire (Thévenin?) and Her
Dog Trim |
1816 |
Graphite |
30.4
x 22.1 |
Gemeentemuseum |
|
|
Mrs
Charles Thomas Thruston, née Frances Edwards |
c.
1816 |
Graphite |
20.6
x 15.8 |
Private
collection |
|
|
Charles
Thévenin |
1817 |
Graphite |
29.9
x 24 |
André
Bromberg |
|
|
Charles
Robert Cockerell |
1817 |
Graphite |
19.4
x 14.6 |
The
Visitors of the Ashmolean Museum |
|
|
Otto
Magnus von Stackelberg and (possibly) Jakob Linckh
|
1817 |
Graphite |
19.6
x 14.4 |
Musée
Jenisch |
|
|
The
Kaunitz Sisters |
1818 |
Graphite |
30.1
x 22.2 |
The
Metropolitan Museum of Art |
|
|
Jean-Pierre
Cortot |
1818 |
Graphite |
28.8
x 16.1 |
Memorial
Art Gallery, University of Rochester |
|
|
Charles
Lethière |
1818 |
Graphite |
25.5
x 19.5 |
Musée
des Arts Décoratifs |
|
|
Comte
Lancelot-Théodore Turpin de Crissé |
1818? |
Graphite |
27.1
x 20.2 |
The
Metropolitan Museum of Art |
|
|
Comtesse
Lancelot-Théodore Turpin de Crissé, née
Adèle de Lesparda |
1818? |
Graphite |
27.3
x 20.4 |
The
Metropolitan Museum of Art |
|
|
Niccolò Paganini |
1819 |
Graphite |
29.8
x 21.8 |
Musée
du Louvre |
|
|
André-Benoit
Barreau, called Taurel |
1819 |
Graphite |
28.8
x 20.5 |
Collection
Yves Saint Laurent and Pierre Bergé |
|
|
Ursin-Jules
Vatinelle |
1820 |
Graphite |
18.1
x 13.9 |
The
Metropolitan Museum of Art |
|
|
Pyrame
Thomeguex |
1821 |
Graphite
on tracing paper |
26.7
x 20.7 |
Private
collection |
|
|
Louise
Gonin, Young Girl from the Gonin-Kreis Family |
1821 |
Graphite
on paper |
20.8
x 15.3 |
Musée
d'Art et d'Histoire, Geneva |
|
|
The
Cosimo Andrea Lazzerini Family |
1822 |
Graphite |
28.7
x 20.8 |
Musée
du Louvre |
|
|
Comtesse
de Pastoret |
1822 |
Graphite
on paper |
28.4
x 20.4 |
Private
collection |
|
|
Self-Portrait
|
1822 |
Graphite |
20
x 15.9 |
National Gallery of Art, Washington, D.C. |
|
|
Madame
Jacques-Louis Leblanc, née
Françoise Poncelle |
1822 |
Graphite |
45.3
x 35 |
Musée
du Louvre |
|
|
Madame
Ingres Conversing with Madame Leblanc and Her Daughter |
1822-23 |
Black
chalk on paper |
14.8
x 18.7 |
Musée
Ingres, Montauban |
|
|
Jacques-Louis
Leblanc |
1823 |
Graphite |
45.7
x 35.5 |
Musée
du Louvre |
|
|
Félix
Leblanc |
1823 |
Graphite |
39.2
x 28.9 |
Musée
du Louvre |
|
|
Studies
for 'Madame Leblanc' |
1823 |
Charcoal
on paper |
34
x 21.9 |
Musée
Ingres, Montauban |
|
|
Studies
for 'Madame Leblanc' |
1823 |
Charcoal
on paper |
19.4
x 20.7 |
Musée
Ingres, Montauban |
|
|
Studies
for 'Madame Leblanc' |
1823 |
Charcoal
on paper |
13.8
x 15 |
Musée
Ingres, Montauban |
|
|
Studies
for 'Madame Leblanc' (Head) |
1823 |
Graphite
and red chalk on
paper |
38.4
x 26 |
Musée
Ingres, Montauban |
|
|
Studies
for 'Madame Leblanc' (Hands) |
1823 |
Graphite
on tracing paper |
22
x 19.8 |
Musée
Ingres, Montauban |
|
|
Study
of Isaure-Juliette-
Joséphine Leblanc |
1823 |
Charcoal
on paper |
12.2
x 7 |
Musée
Ingres, Montauban |
|
|
Study
for 'Jacques-Louis Leblanc' (Hand) |
1823 |
Charcoal
on paper |
7
x 8.2 |
Musée
Ingres, Montauban |
|
|
Study
for 'Jacques-Louis Leblanc' |
1823 |
Graphite
on paper |
16.7
x 18.4 |
Musée
Ingres, Montauban |
|
|
Jean-François-Antoine
Forest |
1823 |
Graphite |
31.6
x 22.3 |
Ashmolean
Museum |
|
|
Four
Figure Studies (after Andrea del Sarto) |
1823 |
Graphite
on paper |
18.5
x 23.4 |
Fogg
Art Museum |
|
|
The
Journalist |
1824-34? |
Graphite
on paper |
10.2
x 11.2 |
Musée
Ingres, Montauban |
|
|
Madame
Jean-Auguste-Dominique Ingres, née Madeleine Chapelle |
c.
1824 |
Graphite |
15.6
x 12.5 |
École
Nationale Supérieure des Beaux-Arts, Paris |
|
|
François
Forster |
1825 |
Graphite
on paper |
31.6
x 23.8 |
Musée
Bonnat, Bayonne |
|
|
Alexandre-Victor
Martin |
1825 |
Graphite
on paper |
26.2
x 21 |
Musée
du Louvre |
|
|
Detail
of Background for Antiochus and Stratonice[7] |
c.
1825? |
Graphite,
ink, and wash on paper |
60.5
x 93.7 |
Musée
Ingres, Montauban |
|
|
Charlotte-Madeleine
Taurel |
c.
1825 |
Graphite |
16.9
x 12.8 |
Musée
du Louvre |
|
|
Dr
Louis Martinet |
1826 |
Graphite |
32.3
x 24.7 |
National Gallery of Art, Washington, D.C. |
|
|
Madame
Marie Marcotte de
Sainte-Marie, née Suzanne-Clarisse de Salvaing de Boissieu
|
c.
1826 |
Graphite |
32.4
x 24 |
Musée
du Louvre |
|
|
Study
for 'Madame Marcotte' |
c.
1826 |
Graphite
on paper |
17.6
x 13.5 |
Musée
Ingres, Montauban |
|
|
Study
for 'Comte de Pastoret' |
c.
1826 |
Charcoal,
graphite, and white highlights on paper |
37.5
x 23.2 |
Musée
Ingres, Montauban |
|
|
Luigi
Calamatta |
1828 |
Graphite |
28.1
x 22.9 |
Musée
de la Vie Romantique, Paris |
|
|
Madame
Louis-François Godinot, née Victoire-Pauline
Thiollière de l'Isle |
1829 |
Graphite |
21.9
x 16.5 |
André
Bromberg |
|
|
Pierre-Marie-François
de Sales Baillot |
1829 |
Graphite |
35.4
x 27.3 |
Prat
Collection, Paris |
|
|
Jean-François
Gilibert |
1829 |
Graphite
on paper |
20.9
x 15.9 |
Musée
Ingres, Montauban |
|
|
Madame
Jacques-Ignace Hittorff |
1829 |
Graphite
on paper |
27
x 21.5 |
Musée
du Louvre |
|
|
Jacques-Ignace
Hittorff |
1829 |
Graphite
on paper |
27
x 21.5 |
Musée
du Louvre |
|
|
Madame
Jean-Auguste-Dominique Ingres, née Madeleine Chapelle
|
c.
1829 |
Graphite |
21
x 15.6 |
Prat
Collection, Paris |
|
|
The
People, Victorious in July 1830 |
1830 |
Ink
on paper |
27.3
x 22.8 |
Musée
Ingres, Montauban |
|
|
Madame
Jean-Auguste-Dominique Ingres, née Madeleine Chapelle
|
1830 |
Graphite |
18.7
x 13 |
Private
collection |
|
|
Niccolò Paganini |
bef.
1831 |
Graphite
with white highlights on tracing paper |
23.8
x 18.2 |
The
Metropolitan Museum of Art |
|
|
Louis-François
Bertin |
1832 |
Graphite
on paper |
32.2
x 24.1 |
Musée
du Louvre |
|
Study
for 'Louis-François Bertin' |
c.
1832 |
Graphite |
30.3
x 32.5 |
Collection
Jan and Marie-Anne Krugier-Poniatowski |
|
|
Study
for 'Louis-François Bertin' |
c.
1832 |
Black
chalk and graphite |
34.9
x 34.5 |
The
Metropolitan Museum of Art |
|
|
Study
for 'Louis-François Bertin' |
c.
1832 |
Charcoal
and graphite on paper |
37.6
x 26.7 |
Musée
Ingres, Montauban |
|
|
Study
for 'Louis-François Bertin' |
c.
1832 |
Graphite
on tracing paper |
c.
1832 |
Fogg
Art Museum |
|
|
Study
for 'Luigi Cherubini' |
c.
1833-34 |
Black
chalk with white highlights |
26
x 21 |
Conservatoire
National Superieur de Musique, Paris |
|
|
Study
for 'Luigi Cherubini' |
c.
1833-34 |
Black
chalk on paper |
22
x 20 |
Musée
Bonnat |
|
|
Madame
Adolphe Thiers |
1834 |
Graphite
on paper |
31.9
x 23.9 |
Allen
Memorial Art
Museum |
|
|
Madame
Louis-François Bertin,
née Geneviève-Aimée-Victoire Boutard |
1834 |
Graphite |
32.1
x 24.1 |
Musée
du Louvre |
|
|
Self-Portrait
|
1835 |
Graphite |
29.9
x 21.9 |
Musée
du Louvre |
|
|
Mademoiselle
Louise Vernet |
1835 |
Graphite |
33
x 25.3 |
Collection
of Dian and Andrea Woodner, New York |
|
|
Madame
Jean-Auguste-Dominique Ingres, née Madeleine Chapelle |
1835 |
Graphite
on paper |
30.2
x 22.4 |
Musée
Ingres, Montauban |
|
|
Alexis-René
Le Go |
1836 |
Graphite |
30.7
x 22.9 |
Private
collection |
|
|
Tracing
of a Figure of Satan for a Temptation of Christ |
1836 |
Graphite
and annotations in ink |
16.6
x 21.5 |
Musée
Ingres, Montauban |
|
|
Madame
Victor Baltard, née Adeline Lequeux, and Her Daughter,
Paule |
1836 |
Graphite |
30.1
x 22.3 |
Private
collection |
|
|
Victor
Baltard |
1837 |
Graphite |
31.6
x 23.7 |
Collection
Yves Saint Laurent and Pierre Bergé |
|
|
Franz
Liszt |
1839 |
Graphite |
30.9
x 22.8 |
Richard
Wagner Stifiung, Bayreuth |
|
|
Stratonice |
1840 |
Graphite
on paper |
22.3
x 15.1 |
Musée
Ingres, Montauban |
|
|
Study
of Drapery for 'Antiochus and Stratonice' |
c.
1840 |
Graphite
on paper |
49.3
x 32.1 |
The
Metropolitan Museum of Art |
|
|
David-Paul
Drach |
c.
1840 |
Graphite
on paper |
21.4
x 16.3 |
Musée
Bonnat |
|
|
Study
for 'Luigi Cherubini' |
c.
1840-41 |
Graphite
on paper |
25.8
x 25.4 |
Musée
Ingres, Montauban |
|
|
Madame
Marcellin-Benjamin Guyet-Desfontaines |
1841 |
Graphite
on paper |
22
x 16.5 |
Musée
Bonnat |
|
|
Madame
Alexis-René Le Go |
1841 |
Graphite
on paper |
31.6
x 22.3 |
Private
collection |
|
|
Charles
Gounod |
1841 |
Graphite |
29.9
x 23.1 |
The
Art Institute of Chicago |
|
|
Madame
Jean-Auguste-Dominique Ingres, née Madeleine Chapelle
|
1841 |
Graphite |
27.1
x 21.7 |
Musée
du Louvre |
|
|
Antoine
Thomeguex |
1841 |
Graphite |
25.8
x 18.8 |
Private
collection |
|
|
Paul
Lemoyne |
1841 |
Graphite
on paper |
23.6
x 17.8 |
Musée
Grobet-Labadie, Marseilles |
|
|
Study
for 'Duc d'Orleans' |
1841 |
Graphite
on paper |
20.8
x 10.7 |
Musée
Ingres, Montauban |
|
|
Study
for 'Duc d'Orleans' [trousers and right hand] |
1841 |
Graphite
on paper |
26.2
x 27.9 |
Musée
Ingres, Montauban |
|
|
Study
for 'Duc d'Orleans' [right hand and arm holding hat] |
1841 |
Black
chalk on paper |
15
x 11 |
École
des Beaux-Arts, Paris |
|
|
Clémence
de Rayneval |
1841 |
Pencil,
charcoal, and white highlights on paper, pasted on Bristol
board |
37
x 27 |
Musée
du Louvre |
|
|
Armand
Bertin |
1842 |
Graphite
on paper |
32.2
x 22.8 |
Private
collection |
|
|
Louise
d'Haussonville |
1842 |
Graphite
and white highlights on paper |
30.4
x 21.8 |
Musée
Bonnat |
|
|
Archangel
Raphael |
1842 |
Cartoon
for stained-glass window in the chapel of Notre-Dame de la
Compassion-Saint-Ferdinand, Neuilly |
210
x 92 |
Musée
du Louvre |
|
|
Saint
Ferdinand of Castille |
1842 |
Cartoon
for stained-glass window in the chapel of Notre-Dame de la
Compassion-Saint Ferdinand, Neuilly |
210
x 92 |
Musée
du Louvre |
|
|
Study
for 'Baronne de Rothschild' |
c.
1842 |
Graphite
on paper |
6.9
x 6 |
Musée
Ingres, Montauban |
|
|
Study
for 'Baronne de Rothschild' |
c.
1842 |
Graphite
on paper |
16.5
x 18 |
Musée
Ingres, Montauban |
|
|
Study
for 'Baronne de Rothschild' |
c.
1842 |
Graphite
on paper |
14.6
x 12.5 |
Musée
Ingres, Montauban |
|
|
Study
for 'The Golden Age' |
c.
1842-47 |
Graphite
on paper |
41.6
x 31.5 |
Fogg
Art Museum |
|
|
Madame
Armand Bertin, née Cecile Dollfus |
1843 |
Graphite
on paper |
34.5
x 26 |
Private
collection |
|
|
Madame
Frédéric Reiset, née Augustine-Modeste-Hortense
Reiset, and Her Daughter, Thérèse-Hortense-Marie
|
1844 |
Graphite
with white highlights |
30.8
x 24.5 |
Museum
Boijmans Van Beuningen |
|
|
Study
for 'Hygin-Edmond-Ludovic-Auguste Cavé' |
1844 |
Graphite
on paper |
36.2
x 22.8 |
Musée
Ingres, Montauban |
|
|
Study
for 'Comtesse d'Haussonville' |
c.
1845 |
Graphite,
squared |
23.4
x 19.6 |
Fogg
Art Museum |
|
|
Study
for 'Comtesse d'Haussonville' |
c.
1845 |
Black
chalk and graphite |
35.9
x 20.4 |
Fogg
Art Museum |
|
|
Study
for 'Comtesse d'Haussonville' |
c.
1845 |
Graphite
and black chalk, squared |
35.4
x 20.5 |
Collections
of the Société des Arts de Genève |
|
|
Study
for 'Comtesse d'Haussonville' [arms] |
c.
1845 |
Black
chalk |
46.8
x 31 |
Musée
Ingres, Montauban |
|
|
Study
for 'Comtesse d'Haussonville' |
c.
1845 |
Black
chalk and graphite |
35.1
x 17.3 |
The
British Museum |
|
|
Study
for 'Comtesse d'Haussonville' [head] |
c.
1845 |
Graphite |
32
x 22 |
Musées
de Carpentras |
|
|
Study
for 'Comtesse d'Haussonville' [face] |
c.
1845 |
Graphite
on paper |
13.1
x 14 |
Musée
Ingres, Montauban |
|
|
Study
for 'Madame Moitessier Seated' |
c.
1846-47 |
Black
and red chalk on paper |
35.5
x 30.9 |
Worcester
Art Museum |
|
|
Study
for 'Madame Moitessier Seated' |
c.
1846-48 |
Black
chalk over graphite, partially squared in graphite |
18.7
x 20 |
Fogg
Art Museum |
|
|
Study
for 'Madame Moitessier Seated' [nude] |
c.
1846-48 |
Black
chalk |
30.5
x 29.5 |
Paul
Prouté |
|
|
Study
for 'Madame Moitessier Seated' |
c.
1846-48 |
Graphite
on paper |
16.2
x 11.8 |
Musée
Ingres, Montauban |
|
|
Study
for 'Madame Moitessier Seated' |
c.
1846-48 |
Graphite
on paper |
30
x 31.5 |
Musée
Ingres, Montauban |
|
|
Study
for 'Madame Moitessier Seated' [right arm] |
c.
1846-48 |
Graphite |
8.6
x 10.8 |
Fitzwilliam
Museum |
|
|
Study
for 'Madame Moitessier Seated' |
c.
1846-48 |
Black
chalk with white highlights |
37.2
x 46.8 |
Musée
du Louvre |
|
|
Study
for 'Madame Moitessier Seated' [skirt] |
c.
1847-48 |
Black
chalk with white highlights on paper |
20.3
x 31.8 |
New
Orleans Museum of Art |
|
|
Study
for 'Madame Moitessier Seated' [skirt] |
c.
1847-48 |
Charcoal
and white highlights on paper |
21.4
x 27.9 |
Musée
Ingres, Montauban |
|
|
Study
for 'Baronne de Rothschild' [nude] |
c.
1847 |
Graphite
on paper |
30
x 15.8 |
Musée
Bonnat |
|
|
Study
for 'Baronne de Rothschild' [legs] |
c.
1847 |
Black
chalk on paper |
38.6
x 25.7 |
Musée
Bonnat |
|
|
Study
for 'Baronne de Rothschild' |
c.
1847 |
Graphite
on paper |
|
Musée
Bonnat |
|
|
Study
for 'Baronne de Rothschild' [dress] |
c.
1847 |
Black
and white chalk on paper |
33.2
x 25.9 |
Musée
Ingres, Montauban |
|
|
Study
for 'Baronne de Rothschild' [dress] |
c.
1847 |
Graphite
on paper |
22.2
x 21.9 |
Musée
Ingres, Montauban |
|
|
Study
for 'Baronne de Rothschild' [right hand] |
c.
1847 |
Graphite
on paper |
11.2
x 20 |
Musée
Ingres, Montauban |
|
|
Study
for 'Baronne de Rothschild' [arm] |
c.
1847 |
Red
chalk on paper |
38.7
x 12.6 |
Musée
Ingres, Montauban |
|
|
Comtesse
Charles d'Agoult, née Marie de Flavigny, and Her Daughter
Claire d'Agoult |
1849 |
Graphite
with white highlights |
47
x 39.3 |
Private
collection |
|
|
Dr
François Mêlier |
1849 |
Graphite
with white highlights |
24.2
x 18.1 |
The
Metropolitan Museum of Art |
|
|
Franz
Adolf von Stürler |
1849 |
Graphite |
32.9
x 24.8 |
Kunstmuseum,
Bern |
|
|
Madame
Hippolyte Flandrin, née Aimée-Caroline Ancelot |
1850 |
Graphite |
32.4
x 24.4 |
Musée
des Beaux-Arts, Lyons |
|
|
The
Forestier Family |
1850-51 |
Graphite
on tracing paper |
30
x 37.2 |
Fogg
Art Museum |
|
|
Study
for 'Princesse de Broglie' |
1850-51 |
Graphite
on tracing paper |
20.4
x 15.3
|
Unknown |
|
|
Study
for 'Madame Moitessier Standing' |
1851 |
Graphite,
squared |
18.7
x 13.8 |
Private
collection |
|
|
Study
for 'Madame Moitessier Standing' |
1851 |
Graphite |
20.7
x 15.5 |
National Gallery of Art, Washington, D.C. |
|
|
Study
for 'Madame Moitessier Standing' |
1851 |
Graphite,
squared for enlargement |
31.8
x 23.5 |
Lyman
Allyn Art Museum |
|
|
Study
for 'Madame Moitessier Standing' [head] |
1851 |
Graphite,
heightened with white |
45.8
x 33.6 |
J.
Paul Getty Museum |
|
|
Study
for 'Madame Moitessier Standing' |
1851 |
Graphite,
squared in black chalk |
35.5
x 16.8 |
J.
Paul Getty Museum |
|
|
Princesse
de Broglie |
c.
1851-52 |
Graphite
on paper |
32.2
x 23.5 |
Private
collection |
|
|
Madame
Félix Gallois, née Nathalie-Rose-Joachime Bochet
|
1852 |
Graphite
and watercolour |
34.6
x 26.38 |
The
Metropolitan Museum of Art |
|
|
Pierre-François-Henri
Labrouste |
1852 |
Graphite |
30.8
x 23.4 |
National Gallery of Art, Washington, D.C. |
|
|
Study
for 'Princesse de Broglie' [arms and hands] |
c.
1852-53 |
Charcoal
on tracing paper |
31.6
x 29.5 |
Konrad
Klapheck, Dusseldorf |
|
|
Study
for 'Princesse de Broglie' [nude] |
c.
1852-53 |
Graphite
on paper |
29.8
x 15.9 |
Musée
Bonnat |
|
|
Study
for 'Princesse de Broglie' |
c.
1852-53 |
Graphite
and red chalk on paper |
27.8
x 17.5 |
Unknown |
|
|
Study
for 'Madame Moitessier Seated'[8] |
c.
1852-56 |
Charcoal
with white highlights on paper |
43.8
x 32.4 |
Musée
Ingres, Montauban |
|
|
Hippolyte
Flandrin |
1855 |
Graphite |
32.2
x 25.3 |
Musée
des Beaux-Arts, Lyons |
|
|
Madame
Jean-Auguste-Dominique Ingres, née Delphine Ramel |
1855 |
Graphite |
35
x 27.2 |
Fogg
Art Museum |
|
|
Edmond
Ramel and His Wife, née Irma Donbernard |
1855 |
Graphite
with white highlights |
33.5
x 26.5 |
Private
collection |
|
|
Mademoiselle
Cecile Panckoucke |
1856 |
Graphite |
32.3
x 24.2 |
The
Detroit Institute of Arts |
|
|
Comte
Alfred-Émilien Nieuwerkerke |
1856 |
Graphite
and white chalk on paper |
33
x 24.3 |
Fogg
Art Museum |
|
|
Madame
Charles Simart, née Amélie Baltard |
1857 |
Graphite
on tracing paper, mounted on cardboard |
33.5
x 25.5 |
Albright-Knox
Art Gallery |
|
|
Mademoiselle
Mary de Borderieux(?) |
1857 |
Graphite
and watercolour with white highlights |
35.2
x 27.1 |
National Gallery of Art, Washington, D.C. |
|
|
Madame
Charles Gounod, née Anna Zimmermann |
1859 |
Graphite |
25.7
x 20.2 |
The
Art Institute of Chicago |
|
|
Self-Portrait |
1859 |
Graphite
on paper |
19.5
x 14.8 |
École
des Beaux-Arts, Paris |
|
|
Madame
Franz Adolf von Stürler, née Matilda Jarman |
1861 |
Graphite |
32.7
x 23.6 |
Kunstmuseum,
Bern |
|
|
Homer
Deified |
1864-65 |
Graphite,
ink wash, and white highlights on paper |
76
x 85.5 |
Musée
du Louvre |
|
| 
|
Notes
This list is not exhaustive.
1. centimetres
2. A copy was possibly made by Marie-Anne-Julie Forestier in
1807
3. A copy of the reworked/lost 1804 painting
4. Possibly by Ingres
5. Collaborated with François-Marius Granet
6. Possibly collaborated with François-Marius Granet
7. In collaboration with an assistant
8. Possibly by Ingres, or an assistant
Sources
Musée du Louvre, Paris, 2018.
The National Gallery, London, 2018.
Tinterow, G. and P. Conisbee, eds. Portraits by Ingres:
Image of an Epoch. New York; London: Harry N. Abrams, 1999.
The Walters Art Museum, Baltimore, MD, 2018.
|
